Where do writers get their ideas? We discussed the theme at our first Monday evening TalkWrite group for 2018.
Inspiration can come from the world around you:
- Locations: a creepy house; an idyllic location can inspire thoughts such as “what happened there?” or “what could happen there?”
- ie: “What if there was a body?”
- Experiences: for a lot of writers, their day-to-day lives may influence the stories they want to write. It might be funny anecdotes around your work, or you might visit a place or have some sort of experience that you wish to share – either through fiction or as a memoir.
- ie: what sort of interesting/weird things could happen at a science fiction convention?
- Something that makes you wonder:
- companies with interesting names
- ie, Merlin’s Couriers (what do they deliver?)
- ie, car advertisement, costs $19,999 plus ORC (What if your new car actually came with an orc?)
- companies with interesting names
- Newspaper articles: often they only tell you the outcome of an event – so what caused it? Why would someone act in such a way?
- Also Newspaper headlines: sometimes these sound more interesting than the actual story proves to be. So, write the more interesting one!
- Conversations: either overheard, or that you have participated in.
- Historic events/people: if you have a passion for a particular period or figure from history, that works as a great starting point for a story and fictionalised stories around real people are quite popular.
- Dreams: keep a notebook beside your bed, and remember, that’s where Stephenie Meyer found Edward.
- Songs: either the lyrics or the general theme of a song can prove inspiration to writing, just beware of breaching copyright by following or quoting the lyrics too closely.
Write the story you would enjoy reading
If you’re really stuck on what to write, sit down and make a list of the things that you enjoy the most in the books you’re reading and the movies you watch. Chances are, you’ll be able to find a shape of a fresh, new story within them. A prime example of this is Eragon by Christopher Paolini. It has elements of Tolkien, Star Wars, and, whilst being somewhat generic, became phenomenally popular and was actually a really good read (although I confess, I never finished the series). Do you enjoy cozy murder mysteries and like to knit? Well, why not combine the two? (This is a surprisingly populated genre).
Twists on Familiar Stories/Ideas
- Retell a fairy tale with a new setting, time period or from a different character’s perspective.
- Write the story of a side character in an out-of-copyright classic novel (ie: Captain Hook).
- Take a fairly standard/cliched plot and twist or parody it
- ie: the standard “quest for the McGuffin” narrative of some fantasy novels
- Social or political commentary can also be used to create a powerful fantasy novel, a heart-breaking romance, a tense thriller, or a black comedy, depending on your personal genre tastes.
Many stories begin with a “What If?”
- What if cats really ruled the world?
- What if my neighbour began worshipping me as a god?
- What if aliens have been amongst us all this time?
Writing Prompts and Word Lists
There are various resources on the internet for finding inspiration. These may work for some authors – particularly those who just wish to ignite their writing fire.
- Images: they do say a picture paints a thousand words. Spend some time on pinterest looking up your favourite themes (or just “Story ideas”), but I’d recommend setting a timer. Find a picture that inspires you and see what questions you can create around it that might be turned into a story.
- Writing Prompts: these are generally a sentence or two about a situation ending with a few questions. Great for getting inspired to write a short story – or possibly taking it all the way to a novel!
- Word Lists: We did an exercise in a writing class where we were given three words (which included “rickshaw” and “encyclopedia”) and asked to write a short story around them. It was fun – and everyone’s story was completely different! Random word lists can be found on the Internet.
- There are also numerous dice and card decks available to make you think and create.
- Rory’s Story Cubes
- The Reckless Deck: to create spec-fic mash-ups
- The Storymatic: Pick up a card and watch the story unfold before your eyes!
- Dixit: Not specifically for writing inspiration, but has plenty of strange and beautiful illustrations.
- Once Upon a Time: Another game that can be used for inspiration, they even have a book available with how to use it to write your own fairytales.
Want to try and write a story based on prompts? Find below a picture (from Pixabay and a Creative Common) and a list of random words I’ve generated using an online generator.
Cemetery, cave, stem, compartment, suntan, candle, solid, rib, courage, constitution
If you write a story based on one, or both, let us know in the comments below!
Or if you have other ways of “finding your story”, we’d love to hear it.
Back in July, I did a presentation on “How to Write Non-human Characters” as part of our Character Building Workshop, and I thought it time I shared a little of it here for those of you unable to attend. I have written several novels, and numerous short stories (including fanfiction), about birds, lemurs, animal-people (“furries”) and fantastical creatures such as goblins and Pokemon. Whilst I do, on occasion, have human characters in my story, they are generally not the main protagonist.
So, why do I favour non-human characters?
First and foremost, I love animals, plus I have a zoology degree and I’m not afraid to use it, to educate while I entertain.
Other reasons you might choose to write non-human protagonists:
- Challenge, to explore the world from a different perspective.
- Adds an extra quirk to a fairly mundane or traditional plot idea.
- Allegory or parable.
Non-human characters can range from realistic style animals (Incredible Journey, Watership Down), through to the aforementioned furries. Generally speaking, I prefer to read animal-protagonist novels in which the animals behave much like their wild counterparts, but with increased insight and complex communication, or truly anthropomorphic ones, where the characters still show some of their natural animal traits. The movie, Zootopia, is an excellent example of this. However, shows like Arthur, where the characters are basically just children that happen to look like animals, don’t interest me.
Of course, “non-human” can also refer to werewolves, elves and many other near-human species.
For the purposes of this post, I’m going to deal predominantly with mostly-realistic animal characters.
The first thing to do when writing an animal character is RESEARCH. I watch documentaries, read books, look up information on the internet. Remember, if you get one facet wrong there is someone out there who will notice and most zoologists aren’t shy about correcting errors! Of course, the more popular your animal is, the more is known about them, so not only will you have a plethora of information at your hands, there will also be more folks out there looking to correct any errors you might make. If you are making up the species, as I did with my goblins, then you can create as crazy an ecology as you like, but remember to keep it consistent!
Next you need a plot, and with that, CONFLICT. Is your character wild or domestic? If domestic, you could write a family drama from the animal’s perspective – The Last Family in England (aka The Labrador Pact) by Matt Haig is an excellent example of this. Murder mysteries seem popular too: why have several cats in the neighbourhood been found dead? Sit down and brainstorm a list of possible adventures that your domestic cat or dog could get up to. For both domestic and wild animals, there is the classic theme: trying to get home/find a new home, in which either the original habitat is destroyed (Animals of Farthing Wood) or the animal is taken from his/her home and must find her way back (Far From Home Cats). Survival in general is also a popular theme, (ie: Black Beauty and Bambi), but you will still need the plot to build to something – whether it be the battle for dominance to claim his position as head of the herd, or that final hurdle before being reunited with her owner or finding his forever home.
Even animal characters need PERSONALITY. They should always be a character first, animal second. They should have needs and wants, hopes and dreams – and forces (be it another character, or nature) acting against their achievement of these. Cliches are fairly common in animal-driven narratives: cats are sly and manipulative, dogs dependable and loyal, but it is fun to twist the stereotypes. After all, hyenas are generally portrayed as scheming and malicious thieves and rogues, but did you know that they do regularly hunt their own food (not just steal it), have a matriarchal society and form strong clan bonds, not entirely dissimilar to the oft-romantisied wolf?
Whether your animal character is predator or prey, pet or stray, it can be fun to delve into the world, look at it from a different perspective (don’t forget the senses!) and challenge yourself to write something different!
Angela Oliver is a writer and illustrator, a reader and a dreamer. She has independently published two novels via Amazon’s CreateSpace, Aroha’s Grand Adventure, about a weka (a flightless NZ bird) and her adventures as she makes her way home across the island, and Fellowship of the Ringtails, which she describes as “epic fantasy with lemurs”.
So, I just realised I managed to miss April and completely not notice! Opps! Sorry!
This one is by Chris Ortega, you should look up his stuff.
Not sure where this is, the photo is just called “World’s edge”
To go with our lovely pictures, how about a word list, I haven’t done one of those in a while:
and finally a line:
“I’ve always believed in the one, two, three rule: one horrific life-threatening accident is an accident; two are a coincidence; and three means you really need to consider another line of work.”
Hello all, (Yes, I am early. It probably won’t happen again.)
So Christchurch Armageddon was this weekend so this might just be a little inspired by my purchases yesterday…
The first I now have a shiny print copy of :D, the second I believe is a photo of Hobbiton up north.
(optional) A drawing challenge: Draw the layout of your character’s childhood home.
What is an important piece of jewellery to your character? Is it an heirloom piece? Or a gift from a lover? Is it something related to a plot line or just something the character treasures?
And a couple of lines:
“Damnit Jim I’m a bricklayer not a doctor” – Karl Urban at Christchurch Armageddon 8th March 2015
(He did correct himself to put them the other way around but this one is more fun).
“Curse your sudden but inevitable betrayal!”
As always 500 words for a decent attempt and try incorporating them all for added fun.
But above all have fun and keep writing!
Hi all, I have slightly more reliable internet this month so I am back on these, thanks again to Beaulah for managing last month for me 🙂
So the pictures, today they are courtesy of this awesome guy http://www.kilianschoenberger.de/
To go with these we have a wordlist:
And with the ideas of what makes a good hero and villain floating around this evening try to write something either villainous or heroic as the mood strikes you 😀
500 word minimum for a decent attempt but above all have fun!!!
Look at me actually doing a December writing prompt this year! Go me!
(I’m not just waiting for something to download or for it to be time to head to tonight’s meeting…. Of Course not…)
The first was taken by me at Antonio Hall, the second is a free image from goodfone.
To go with these have a couple of lines:
“We’re not lost, we’re on an adventure!”
and “If you say ‘it could always be worse’ I will kill you.”
And a word list:
As always, about 500 word minimum, have a go at combining them but above all have fun!
See you next year,
For those of you doing http://nanowrimo.org I hope your wordcounts are going well! If not I hope this helps!
To go with these pictures we have a challenge:
Your character has been outside digging a large hole for several hours when they realize that they can’t recall why they are digging it. Retrace their steps to try to discover their motivation!
And a line:
“If those two ever meet, they’ll either learn a lot from each other, or kill each other. Want to try it? I’m taking bets.”
As always have fun! Try to meld them all together for some extra fun!
For the Wrimos – good luck on your wordcounts! See you at the TGIO if not before! Everyone else, write well!